Adventures in Pencil

Hello! So, last month I talked about the drawing class I was taking. It’s over now, and I enjoyed it, though it wasn’t quite what I wanted, if such a thing even exists.

But I thought I’d share the end results with you.

Here’s our main project, the Escher hand:

You can see the remains of the grid. And my “interesting” shading. I was much faster than everyone else (probably because I couldn’t be bothered to be accurate with my shading) so I finished this after three classes.

The last class, one of the other people had also finished his drawing (he was working on it at home! lucky bastard has grown children who do not live at home) so he brought along a picture of some aspens he’d taken. We used the grid method on it again.

This took me about 3/4 of the class. Notice, again, my lack of patience with a gazillion little details and the switch to being more stylistic than realistic. (Though I do like the end product.)

And then, because I figured I should probably draw in drawing class, I found a photo of a grumpy owl on …

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It Gets Everywhere

The stars have aligned, friends, and I am finally taking a beginning drawing class at my local rec center. (I’ve tried to take this class a few times before, and it either gets cancelled, or it’s at an impossible time, or…)

It’s two hours every Monday for the duration of October, and apparently each month the teacher picks a technique for everyone to practice. This month we’re doing straight pencil drawings (which is good, because that’s what I wanted, and if it were charcoals or pastels or something I would be disappointed) and working on reproduction using a grid. Basically, you draw a grid on whatever you want to copy, and a grid on your paper, and then you painstakingly copy everything, square by square, to help you get everything in the right place.

We’re doing M. C. Escher’s Drawing Hands (just one hand, so as to not go insane). I mean, we are anyway, but it’s the thought that counts.

On one hand, I’m not wild about copying another picture, even one by Escher. It’s a good technique to know, I suppose, but I’d really like to learn more about how to draw in general.

On the other hand, I get two hours to myself to do nothing else but draw, which is relaxing and wonderful, and it really helps clear everything out of my brain.

So, you know, it evens out. Though I do really just want to learn how to draw, and shade. Specifically shade. I am …

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